an intertextual reconsideration of salman savedji’ s poem "jamshid & khorshid" from the perspective of new historicism.

in the history of persian fiction, there have been created works of art, corresponding to their time’s intellectual and cultural necessities and needs; if being read through by a reconsidering approach, they not only may refer to individual and social psychology of iranian people of the era “jamshid and khorshid” the poem (778 ah) is one of these works that has considerable potentials for emphasizing structural and network outlook toward literary works of its era, in spite of negligence of researchers. this research tries to prove that is a mystical work by help of intertexual approaches and theoretical framework of “new historicism”, such as following the intertexual and extratextual signs of the text. according to the research outcomes, we can prove in two ways that “jamshid and khorshid” is a mystic poem: first, by decoding the intertexual basis of the text that in spite of having a dialectic connection to ancient iranian myths and shahnameh and its imitation of lyrical foundation and narrative techniques of nezami especially in haft peykar, the text’s fundamental essence have a mystical quality due to its following the structure and cryptic-mystic techniques of sohrevardi’s stories like aghle sorkh and safire simorgh, sayr ol ebad by sanaii, the story sheykh sanan by attar, the story ghaleye zato sor and the quarrel between chinese and rumi people by molavi. second, by using the attitude of new historicism in analysis of the text that shows the alignment of its deep structure with mystic atmosphere of the 8th